Léo and Rémy"s gradual separation is agonising to *** (in a good way), but the plot leaps elsewhere at the halfway point, when the boys are rocked by a sudden horrific tragedy. It"s a slight shame that Dhont felt the need to make this shift. His microscopic examination of childhood"s withering is unspeakably poignant on its own; the subsequent lurch to more sensational anguish seems coarse and obvious in comparison. But even in the film"s heightened second half

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